Christina Sayut


Boston University, 2025
    Wayfinding Case Study
    Exterior
Signage
   
Mia: Visual Biography
    Typeface Design
   
A Continous Inquiry
    History of Design
    Recalibration
    Masonry
    traces of care.
    DON’T TAKE IT SO SERIOUS!

    Notre Dame, 2020-2024
        Kinware
        Ossorio
        GUESS
        Font Frustration
       
    Steinbeck Book Covers
       
    Baskerville Type Specimen
       
    Pioneering Women
       
    Strike Magazine
       
    The Observer

    Joyful Hobbies
        Photography

    About Me →


    Typeface Design

    Final type specimen poster


    This project really excited me, because I have never designed my own typeface before. The process started with a lot of observation — looking at translation and expansion typefaces and what makes them unique. 


    Practicing letterforms
     
    Using the “inside out” method with sharpie and whiteout


    Once I worked with calligraphic letterforms, I used the “inside out” method to get a solid-looking word. This allowed me to get a better idea of what I wanted my typeface and my serifs to look like. 

    First draft of digitized letterforms 


    I started my typeface by developing the letters “H O D a n o p” and the word “brick” to see what my spacing looked like. Once I saw my letters together, I went back into my Robofont file to develop more letters of the alphabet and change some of my sizing and spacing. 

    Spacing test


    After my letters were developed, I completed a spacing test multiple times to ensure that the letters looked correct when placed next to each other. A few iterations later, I was able to complete a type specimen sheet with all 26 letters of the alphabet in both upper and lower case.


    Final poster for typeface specimen